Beard * The
Čapek Brothers * The
Journey * The Kabbalah
Seekers in Heaven *
That's me. My name is Voyen Koreis. I used to write it with a "j" instead of "y", until I found out what a tongue-twister it was, and how mangled my name usually came out when an English-speaker attempted to pronounce it. Yet, the remedy was there and it was easy! All it took was swapping these two letters.
My mother's tongue was Czech, and English is my second language. For more than forty years I've been living in Brisbane, on the east coast of Australia. Thhe basic information about my person could be found here.
Wonder why I use Hieronymus Bosch's paintings, as well as some other Dutch artist's of the period, for backgrounds in these pages?
Firstly, I like these guys! Apart from that, I think that Bosch and his followers have a lot to say to us and to our society.
Meetings With Remarkable People also known as My Beard©Voyen Koreis 2016 All rights reserved
is my autobiography. It begins with my birth in London ─ my father was a diplomat, and he fought as a major with the Allied Forces ─ continues with my early childhood spent mostly on the road. There follows my youth, and the life as singer/actor, which meant meeting many people from the entertainment industry, some known already, others about to become familiar names in the Czech households. After the advent of Soviet troops invading the country in 1968, I had moved back to England, but eventually migrated to Australia, where I have been living for more than forty years. In my life I have met with some people who became famous in that part of the world where I grew up, and some who made it amongst the antipodeans. One or two names familiar to nearly everybody in the world. And a scattering of characters known only to a few, but no less remarkable. Because every one of us is a unique human being!
The Čapek Brothers
It is virtually impossible to think of anyone culturally more important and also more prominent in the country that was then known as Czechoslovakia, between the WW1 and WW2, than the Čapek brothers. While Karel Čapek was always better known of the two, Josef was never too far behind, and when not directly involved he often appears to have been the inspiration behind the works his younger brother wrote. As is the case even with the play R.U.R., which had made Karel internationally famous, in a sense even immortal — where Josef was apparently responsible for just one thing — the invention of the word “robot”
When in 1939 Czechoslovakia was finally taken over by the Nazi troops, one of the first trips of the arresting officers was to the door of the Čapek brothers‘ residence. They walked away with only one prisoner however, as the younger brother Karel had died several months earlier. Josef Čapek very nearly saw the end of the war, but sadly when the Allied Armies had freed the prisoners in the Begren-Belsen concentration camp on the 15th April 1945, he was not among them. According to the witnesses, Čapek was still alive several days before, but apparently had died, either of typhus or pneumonia, shortly before their arrival. His body was never identified…
This site is dedicated to these two remarkable people.
The Fools' Journey
Archetypes in various guises can be found among the twenty-two Tarot trumps. Above them stands the Fool as the archetype of an eternal pilgrim, who in this fantasy novel threads his way through the labyrinth of the world.
It is truly a blessing, being a fool. Nevertheless, accustomed as they are to their rational ways of thinking, many people, even a majority, might dispute such a statement. At the same time, unconsciously, people would sense that fools were accorded some special Divine privileges, and thus they often held their fellow human beings afflicted with a degree of foolishness in a relatively high esteem. Fools move somewhere half way between the heavens and the earth. Given that, it should hardly surprise us to see one in such an elevated position, walking, or perhaps we should say merrily dancing, above the clouds on the top of a mountain, carrying only a small bundle over his shoulder. Any moment now is he going to stroll into the world with vehemence, and unpack everything he owns, everything that is crammed into that bundle. He's taking no notice of the small dog who frantically tries to stop him by hanging onto his trousers, eventually tearing it off, and revealing part of the Fool's proverbial naked bottom. All the Fool wants is to go, he wants to fly; he does not want to be slowed by the lower, animalistic instincts. He wants to be human, he wants to make human errors, and he wants to learn from the experience!We are all born naked, that is an undisputed fact of life. Most of us believe that we do not bring anything with us, that all we have has been provided for us by our parents’ genes. But is this indeed the truth?
"Since its inception, the world has been compelled to bear a constant stream of fools, but has anyone wondered where do the fools come from? It may well be that they are being continuously born from a distant Cosmic Egg, and blown by the winds of universal breath they are scattered into all corners of the Universe. Breathing, as a scientist would attest, is nothing else than a slow form of combustion; isn't the never-ending production of fools perhaps meant to prevent the Universe from being hopelessly covered by eternal ice?"
Kabbalah has always been strongly associated with the Jewish religion. Nevertheless, Christian priests and scholars, many of them having had learnt Hebrew so that they could read the Old Testament in the original, have always been in possession of the same keys as were the Jewish rabbis, namely the Bible and the language. Kabbalah goes beyond any existing religion. When in its most metaphysical, it holds a great appeal to contemporary scientists, physicists, chemists, mathematicians, but also to psychologists, particularly those of the Jungian school. Above all, it has appealed to philosophers in all ages. Therefore, to a non-Jewish person unattached to any particular religion or even nationality, like me, it must have always appeared timeless. The chapters:
1. WHAT IS KABBALAH? 2. OTHER PATHS TO KNOWLEDGE 3. PYTHAGORAS 4. THE TAROT 5. ADAM KADMON 6. ACT OF CREATION 7. THE TREE OF LIFE 8. THE FOUR WORLDS 9. HOD & NETZAH 10. LIFE IS EVERYWHERE 11. LIFE AND DEATH 12. REINCARNATION 13. PSYCHOLOGY 14. THE VITAL PRINCIPLE 15. SYNCHRONICITY 16. TZIM-TZUM 17. BODIES OF MAN 18. HUMAN MIND 19. LILITH 20. KNOWLEDGE 21. OF ANGELS AND MEN 22. CREATION IN GENESIS 2 23. THE LETTER YOD 24. TWENTY-TWO LETTERS 25. THE NAME OF GOD 26. THE ZOHAR 27. ABRAHAM AND SARAH 28. THE HEBREW LANGUAGE 29. THE PATRIARCHS 30. MALKHUT - THE LAST SEPHIRA 31 THE MYSTICAL KABBALAH 32. BETH – THE FIRST LETTER
At the tender age of 18 I had appeared on the amateur stage in the title role of the Karel Čapek play Loupežník ─ The Robber. A little later I had played one of the lesser characters on the professional stage. About half a century later, in 2008 I had made a translation of this play into English. It was published together with the author’s much better known play R.U.R. (well-known especially for introducing the word "robot"), which I have also translated. However, while the latter has had a number of translations over the years by various authors, some of them also very recent, The Robber, as I named the main character then, had practically no international exposure at all. Nevertheless, it continues to be very popular with the Czech audiences and there appears to be at least one new production each year in the country’s major theatres.
This intrigued me. It occurred to me, would this play, completely reworked and set in the present time Queensland, be acceptable to the Australian audiences? The main conflict, after all, is a timeless and archetypal one ─ the establishment against the rebellious youth! The action takes place in a small Queensland township, once a much larger and flourishing gold mining town, which has now almost become a ghost town. Professor Simonides, who heads a department at the University in Brisbane, had once bought a block of land there, probably for next to nothing, on which he had built a two-storey house. The house, on the fringes of the sleepy town, has been built like a fortress. The professor uses it as a retreat for himself and his family, and perhaps intends to move there permanently on his retirement. But a intruder into his and other people's lives changes everything!
Mephisto & Pheles
A comedy on the Faustian theme, with some recorded music from Gounod’s opera Faust. Three Hell’s trouble-shooters use modern methods of marketing, including computers, mobile phones and Viagra. Mephisto really wants to be a poet, his immaculately born twin brother Pheles is a compulsive computer games player, while former prostitute Brigitte is a probationary she-devil. Trying to find the final solution to the ‘Faust problem’, they end up as asylum seekers in Heaven. Things never go quite the way they were intended to. Mephisto falls in love with Faust’s maidservant Siebel, an innocent virgin girl. Brigitte, who poses as Marguerite or Meg, is pretending to be a lesbian to frustrate Faust, who wants to seduce her. Faust, who wants to be an immortal literary character, is having continuous problems, not only trying to bed the politically correct Meg, but also with the Viagra and mobile phone, both of which he had earned as a bonus for signing up his soul. There are four male and three female roles in the play, requiring however only three male and two female actors.
Asylum Seekers in Heaven
This humoristic novel has had several incarnations and has drawnfrom several sources. Obvious is the one on which the writers like Marlow, Goethe and many others have latched in their versions, some of which are mentioned in the text. Another source of inspiration came from the Czech fairy tales. Yet another was a stage play, musical comedy, which I have seen many years ago in Prague. The first version of my rendition of the Faust story was a radio play
Struggle of the Magicians
A radio feature, based on the lives of two Russian philosophers, Grigori Ivanovitch Gurdjieff and Piotr Demianovitch Ouspensky, who have both run away from Russia after the Communist revolution a and had ended up in exile, Gurdjieff in Paris, Ouspensky in London.
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